In this exciting new series, Frank 151 invites you on a captivating journey around the globe, providing a unique glimpse into the narratives and imaginative landscapes of individuals who are driving creativity to new heights worldwide.
Embark on a visual and intellectual adventure as we delve into the worlds of not only photographers and actors but also delve into the realms of rappers, musicians, graffiti artists, filmmakers, and the visionary minds behind emerging brands. Our creative chronicles are set to unfold, offering a rich tapestry of insights, anecdotes, and life wisdom that traverse the vibrant streets to the dynamic boardrooms, from the vast oceans to the majestic mountains.
Join us as we connect with the crème de la crème of the creative realm, bringing forth a diverse spectrum of perspectives that highlight the intersection of artistry, innovation, and entrepreneurship. From the pulse of urban streets to the serene landscapes, this series promises to capture the essence of the global creative scene, providing an immersive experience that transcends boundaries and celebrates the multifaceted expressions of human ingenuity.
From the raw streets of Oslo to high-fashion’s polished world, Stephen Butkus captures life in its truest form.
When it comes to photography that blurs the line between art and emotion, few do it like Stephen Butkus. Hailing from Oslo, Norway, Butkus carved his path by turning raw human moments into timeless imagery. His lens has captured everything from the gritty undercurrents of urban life to meticulously crafted high-fashion editorials. Butkus’ work isn’t just about taking photos—it’s about storytelling, about unearthing the emotional threads that bind us all.
Through years of pushing creative boundaries, Butkus has cemented his place as one of Norway’s most influential photographers.
Published in magazines like; Vogue, Elle, VICE magazine, Harpers, Dazed and confused, wallpaper, selected books and more.
His artistic ethos, rooted in vulnerability and authenticity, has made his work a staple across Europe and beyond. Whether it’s the haunting intimacy of his personal projects or the pristine beauty of his commercial work, Butkus always finds a way to connect with his subjects—and his audience—on a deeper level.
In this exclusive interview with Frank151, we dive into the mind of Stephen Butkus: his creative process, his inspirations, and how he’s managed to redefine the intersection of art and commerce. This is the story of a photographer who doesn’t just shoot images—he shoots life.
FRANK 151: Stephen, your work has this raw, cinematic quality. How do you decide what moments are worth capturing?
Thank you, I don’t think it’s about deciding – it’s more about feeling. It’s like the best shots are the ones that just happen. If something grabs me in a way that feels honest or confrontational, I know I need to take the shot. It’s not always pretty, but it’s real. I like imperfections—they breathe life into the frame.
FRANK 151: You’ve been shooting for a while. How has your relationship with photography evolved over the years?
I think it’s shifted from just being about creating a good image to understanding what makes an image necessary. Early on, I was chasing perfection, but now I’m chasing truth. I’m drawn to the unpolished and unapologetic. Photography used to be my job; now it feels more like my voice and way of life. Can’t believe it’s been 24 years since I picked up the camera. Damn..
FRANK 151: Your Instagram feels like a mood board for a rebellious era. How do you balance your personal vision with the demands of social media?
That’s tricky because the algorithm doesn’t care about art. But I try to treat Instagram like a gallery, not a megaphone. If I’m posting something, it’s because I’d want it on my wall—not because it’s going to rack up likes. Social media’s a tool; it’s not the craft. I just have to remind myself of that constantly.
FRANK 151: Who or what inspires you the most right now?
People who refuse to conform. Models who aren’t afraid to bring their real selves to the shoot. Photographers who don’t care about glossy perfection—like Teller or Goldin. And, weirdly, architecture—I’ve been obsessed with brutalist buildings lately. They’re flawed and imposing, but they don’t apologize for existing. And i got a huge kick from old Black Sabbath in the background while doing moodboards for new shoot ideas.
FRANK 151: You currently reside in Bali can you tell us what that’s like?
It’s a wild mix of chaos and calm. Bali’s got this energy—it’s loud, messy, and alive. But you can also disappear into the jungle or sit by the ocean and hear yourself think. It’s like living in contrast, which is inspiring for me. The light here is ridiculous—it almost does half the work for you tbh.. But I am currently using Bali as my rest and creative vision place and produce outside of Indonesia.
FRANK 151: Do you surf at all? And do you have any interest in broadening your horizons and shooting action sports as well as models and fashion stuff?
I don’t surf. My balance is better behind the camera than on a surfboard. Action sports? Maybe. It’d depend on the story. I like motion, but it needs to have soul. Shooting someone wiping out in a wave could be beautiful if you catch the vulnerability. Others are meant for that stuff.. I’m not about to start chasing barrel shots anytime soon. But I used to skateboard a lot, and I can see myself diving into that instead. I’m terrified of heights.. So no climbing or anything height related either.
FRANK 151: Do you have a dream project or subject you’ve been itching to shoot?
I’ve always wanted to do a portrait series of people at their most unguarded—maybe in their kitchens or bedrooms, doing something mundane. A continuation of my portrait series I did 10 years ago almost, Something Mapplethorpe would appreciate for its intimacy. Also, shooting Bowie in the ‘70s would’ve been the ultimate. But since time travel is off the table, I’d settle for someone like Tilda Swinton or Iggy Pop. I also recently did some shoots in Japan for some magazines and want to continue shooting high end editorials with great stylists and creative teams. Just love when people work together to create and the outcome is what we did together. I am very inspired by my good friend and producer Ramin Sade and can’t wait to see what we are doing this year.
FRANK 151: Lastly, what advice would you give to aspiring photographers looking to carve out their own lane?
Don’t chase trends—they’re fleeting, and you’ll lose yourself. Look at the greats—Teller, Mapplethorpe, Bailey—they didn’t ask for permission to do what they do. Don’t either. Shoot what you care about, even if it feels too weird or too raw. And don’t underestimate the power of being kind—it’ll take you further than a fancy portfolio ever will.
Website: https://www.stephenbutkus.com/
IG: @stephenbutkus